Where Does It All End?

In a previous post, I wrote about what indie authors could learn from indie filmmakers. As my writing often alternates between writing novels and screenplays, there are also screenwriting tools that can assist novelists.

One of the most valuable “oh, I get it!” moments studying with screenwriting mentor, Syd Field (1935-2013), was the first time Syd spoke about his groundbreaking Paradigm. More specifically – Syd stated that the first thing needed to begin was to know the end. As a young writer, this was a bit of a surprise.

At the time, my writing process was something like “wow, this is a good idea! The character would be this, they would do this and there would be a love interest, and they work at something amazing, etc. etc.” Dialogue and scenes would sprout and I’d write them down and generally let the story tell me what it was. Which is not such a terrible thing… at first. Getting the first flush of inspiration out and onto the page as quickly as possible is important, because I am so easily distracted.

However, there always came the time when I’d have to stop and ask, “so where does it all end?” Where am I going with this story? What is the resolution? And that’s when I go back to the Syd Field Paradigm and the four things the writer needs to know to begin writing:

  • The End
  • The Beginning
  • Plot Point I
  • Plot Point II